An Analysis of Three Images in Doris Lessing’s To Room Nineteen
Abstract
Keywords
References
[1] Blamires, Harry. (1982). Twentieth Century English Literature. London: Macmillan Press.
[2] Bloom, Harold. (1986). Doris Lessing, New York: Chelsea House Publisher.
[3] Booth, Wayne. (1961). The Rhetoric of Fiction. Chicago: Chicago University Press.
[4] Bradbury, Malcolm. (1982).The Modern British Novel. London: Macmillan Press.
[5] Brewster, Dorothy. (1965). Doris Lessing. New York: Twayne Publishers, Inc.
[6] Fishburn, Katherine. (1985).The Unexpected Universe of Doris Lessing: A Study in Narrative Technique. Westport: Greenwood Press.
[7] Lessing, Doris. (1980) To Room Nineteen. New York: Vintage Books.
[8] Lessing, Doris. (1974). A Small Personal Voice. New York: Vintage Books.
[9] MacGibbon & Kee, (1963). A Man and Two Women, London: University of Chicago Press.
[10] Quawas, Rula. (2007). Lessing’s To Room Nineteen: Susan’s voyage into the Inner Space of Elsewhere. Atlantis, 29, 107-122.
[11] Phelan, James. (2005). Living to Tell about It. Ithaca: Cornell University Press.
[12] Pruitt, Virginia. (1981). The Crucial Balance: A Theme in Lessing’s Short Fiction. Studies in Short Fiction, 22, 107-110.
[13] Perkins, Wendy. (2005). Critical Essay on To Room Nineteen. Short Stories for Students, 20. 85-88.
[14] Showalter, Elaine. (2004). The Literature of Their Own-British Women Novelists from Bronte to Lessing. Princeton: Princeton University Press.
Full Text: PDF


